Important Element in the Story Essay

In the two forgetful stories, Little Things by ships boat and The End of Something by Hemingway, two authors make the gloss signifi canistert to the bases message. The title Little Things is somewhat ironic in that the word teensy could raise to the baby or could in particular be calling their argument petty, tied(p) though the boor that they argon fighting over is a major reappearance. This irony is significant to the story because until now though the p arnts appear passionate about their infant, the argument intelligibly lies deeper. The title The End of Something could also refer to a number of things.In this story small-army things argon coming to an intercept. The end of the mill and the t havesfolk at Hortons Bay, the end of dent and Marjories relationship, the end of their look for trips and the end of their day. Both stories be about the end of relationships and, in Little Things the dissolving is violent and violent whereas in The End of Something the br eakup is calm and brief. The story Little Things is about the violent breakup of two parents. It is implied that they are married except sculpturer does not explicitly state this.The opening paragraph describes the weather and the time of day, which reflects the mood of the piece, the dimness of the evening mirroring the dark mood inside the house, it was getting dark. But it was getting dark on the inside too. This shows that although the mood was dark, it was not completely pitch black outside implying that at that place may still be a slight glimmer of consent for the young couple that is soon introduced. As the fight and the emotions experience more reckless and brutal the light begins to fade, present that all hope is lost.The characters in the story are not named. This gives their predicament a deeper sense of urgency and immediacy. This is used to great effect as when we prime(prenominal) meet the man and women, the absence of names throws us directly into the middle of their quarrel. In this piece there is no need to build up the characters with a descriptive foreplay as it is not all-important(prenominal) to the story, making it more urgent. However in The End of Something we feel more sympathy for the characters as we obligate learned about them in more detail.From the class he was in the have a go at it live pushing habiliments into a suitcase when she came through the door, we can deduce from the subtext that these people are in some frame of long-term relationship, and the second line of the same paragraph sights attention to the accompaniment that they are having a het up(p) argument. It is extremely common land that in short stories a lot of information is insinuated rather than being clearly stated and so the reader must draw a meaning from the subtext. The womanhood is the first to speak.Carver does not use speech marks at all during the story in order to draw more immediacy to the article. The first line of speech Im glad youre going Im glad youre leaving Do you hear? shows that although the woman appears to be angry at her partner and glad that he is moving out it is easily noted that she in fact feels exactly the opposite. This is illustrated by the repetition of the line Im glad youre leaving showing that she is trying to reassure herself that she doesnt need him. This shows irony.The woman continues to barrage the man with slurs, son of a snatch, obviously in an attempt to provoke his attention and convince him to stay. When she states you cant even flavor me in the face can you? it is blatantly obvious that the man has had some kind of affair. The woman fails in catching the mans attention and therefore when she spies the babys picture on the bed she takes it, out of spite. The man follows her turning off the bedroom light as he leaves symbolising the end of their relationship, looked around the bedroom before turning off the light. The baby is also not named showing that although it is the child that they are fighting over, the battle about more and the baby is merely a pawn in their game of spite or revenge. The man states I want the baby. This immediately provokes maternal instincts from the mother who rushes to move her child. The infant is continuously referred to as the baby or this baby showing that their child is solely an design that the couple are focusing their anger on. The mans request for the baby is not because he necessarily wants the child from love but more because he sees it as a prize that he can win over the woman.Gradually their battle becomes more physical and violent as the man tries to take that baby from the woman, in the scuffle they knocked down a flowerpot. The baby senses the tension in the room and starts to cry which adds to the anxiety and desperation in the mood of the text, the baby had begun to cry. Throughout the rest of the story Carver intensifies the atmosphere by using urgent and effective words such as screaming, red fac ed, gripped and painful sensation.Nearing the end of the story the light is involved again, the kitchen window gave no light, this line exemplifies that there was no hope left for the couple and the baby. The lines become shorter to add to the fierce battle that the couple is suffering. The man and the woman both grab the child and pull it in different directions in a hope that one allow for triumph but we do not know the victor. The last line in this manner the issue was decided, leaves us pondering a number of possible out comes.The man or the woman may have succeeded in snatching the infant for themselves or they may have pulled their baby in two. If so the story appears to be a parody of the biblical story The Two Women and Solomon, in which a man offers to lie with a baby in half to settle a quarrel between two woman as to who the mother of the baby is. In this story we are left with an ambiguous end. It is very common in short stories that the resolution of the story is lef t undecided, again leaving the reader to make their own conclusion from the clues given.The second short story The End of Something is also about the end of a relationship, however it is handled in a calmer and less violent manner. The first paragraph sets the scene of a calm creaky bay, once a busy lumbering town, now reduced to a citizen-free ghost town. The couple, Nick and Marjorie, are rowing through this bay in a calm fashion they were trolling along the limit of the channel bank, but they soon head towards dark water which shows that they are heading towards trouble.They are rowing soundlessly until Marjorie breaks the silence and begins to talk about the old mill on the shore, describing it as our old vituperate this shows that their relationship stretches back a long way. Nick answers unenthusiastically. Marjorie tries to keep up the conversation describing it as a castle, which shows that she sees their ruin in a fairy-tale manner. However Nick is still distant which m akes Marjorie have to work wicked to keep their conversation alive. Marjorie appears to love everything about their fishing trips.She obviously loves Nick very much and is enjoying disbursal time with him, She loved to fish. She loved to fish with Nick. Clearly Nick is quite qualified at fishing and Marjorie tries to make him feel good by putting him in charge and asking him questions to boost his ego, Theyre feeding, Marjorie said. But they wont strike, Nick said. By this Nick means that he will not strike that night. The couple carries out their actions of fishing with scarce communication and we can tell that something is clearly touch Nick as Marjorie is trying to provoke conversation but to no avail.When Marjorie questions Nick Whats the discipline Nick? he replies I dont know. The couple set out a pushover on the beach but we can tell that Nick is merely going through the motions as he says I dont feel like eating and all it takes is one line from Marjorie and he agr ees. They eat silently until finally Nick breaks the tension. Theres going to be a moon tonight, but when Marjorie agrees Nick becomes angry as if he was waiting for any(prenominal)thing to release the pent up emotions held inside.Marjorie tries to divert the conversation from an argument and begins to talk about the moon. As in Little Things, the weather and ambit play a part in describing the mood of the piece. The moon could represent chastity, coldness or even the passing of time. Silence follows and they do not touch each other until Marjorie ventures to ask Nick Whats really the matter? Marjorie is desperately trying to make their evening enjoyable and romantic but Nick is making it extremely difficult.Nick tries to avoid the question until he starts to explain that it wasnt fun any more and that he was mixed up inside. I feel as though everything was gone to wickedness inside of me, the use of the word was instead of is shows that he is confused and suffering a confidence crisis. Marjorie is plainly shocked as she barely speaks except to say isnt love any fun? which is swiftly followed by an answer from Nick, No. Unlike in Little Things, there is no major battle about to be released, instead Marjorie leaves calmly, dignity intact, in the boat.Nick offers to help push the boat out, which shows that he still cares for her, but is refused. When Marjorie leaves Nick lies on the blanket for a long time until mysteriously a new character named send emerges from the woods. billhook is a curious character. Obviously he is related to Bill in some way and Hemingway makes his sexuality and Nicks dubious when we read the line Bill didnt touch him either. Bill appears as insensitive when he barrages Nick with questions about his extremely new-fashioned breakup, provoking Nick to lash out and tell him to leave.This story again is left at a loose end. We are left questioning the sexuality of Bill and Nick. It is implied that Nick and Bill were in a homosexu al relationship together. This would explain Bills presence hiding in the wood and the fact that it states Bill didnt touch him either. The last line shows that Bill has replaced Marjorie because Bill walks over to check the fishing rods which was previously Marjories job. However, Nick appears to be insecure about his choice to be gay, as we can see from the fact that he tells Bill to go away.Bill has clearly pressured Nick into breaking up with Marjorie, as we can see from the list of questions he asks and his quick appearance from the wood. Both the short stories are about the breakup of relationships but under different circumstances. As always in a short story the reader is left thinking many things from one brief text. All short stories be of and introduction, a main conflict, a resolution and a conclusion. In Little Things the conclusion was the questionable demolition of the child. In The End of Something the conclusion was the appearance of Bill and the question of Nicks sexuality.